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Award winning poet debuts new collection

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Front
Award winning poet debuts new collection

IT'S a long way from Dumfries and Galloway to the Yukon but poet Chrys Salt has bridged the gap with her new work. Chrys, who lives near Gatehouse of Fleet, debuted ‘Skookum Jim and The Klondike Gold Rush, at the Wigtown Book Festival earlier this month. She is a poet with roots deeply planted in the theatre. She has produced four full poetry collections and four pamphlet collections and has performed on BBC Radios 3 and 4, and done readings at venues and festivals across the UK, in the USA, Canada, France, Germany, Finland, India and Australia, where she was The International Poet at The Tasmanian Poetry Festival last year. In addition, she has been the recipient of various awards and bursaries, including a national media award a New Writing bursary from the English Arts Council, a Work Development Award from Creative Scotland) and a Fringe First at the Edinburgh Festival). In recent years she has been the recipient of two Creative Scotland bursaries, one for completing her collection Dancing on a Rock and the most recent for research in The Yukon for new collection Skookum Jim and The Klondike Gold Rush. Chrys, who is director of The Bakehouse Community Arts in Gatehouse and Big Lit: The Stewartry Book Festival, was awarded an MBE for Services to the Arts in the Queen’s Birthday Honours List 2014 She spoke to Violet McMurtie about her work and inspirations:

Do you come from a literary background?

Not at all, although my dad, a working class lad brought up in an orphanage in Birmingham was extremely well read. He revelled in books and particularly poetry. He met my mum when she was working in the local library where his persistent borrowing impressed her!

By the time I was ten he had taught me to recite John Donne’s Nocturnal upon St Lucie’s Day by heart. I can still recite it now!

What writers influenced you as a child/ while you were growing up?

In order to get rid of my ‘Brummie’ accent I was sent to elocution lessons and entered for various LAMDA poetry exams so had to learn poems by heart for those. Cargoes by John Masefield was one of them. I loved Shakespeare having learned Juliet’s ‘potion’ speech for an exam. Thomas Hardy’s The Ruined Maid and Robert Graves’ Welsh Incident, which required a degree of acting, I remember learning too.

How did you get started as a poet?

I’ve always written, so there was no ‘starting place’. I think of poetry ‘as the language I speak’ if that doesn’t sound too pretentious. Ideas, lines and images are always popping into my head. But aged 17 I had my first poem on BBC Radio 4 – a poem called ‘No Rachel…’ about nuclear disaster which I think encouraged me to think more seriously about ‘poet’ as an identity, rather than just ‘something I did’. I remember the novelist Hubert Nicholson, who had read some of my work, saying ‘You ARE a poet’ which meant more than he can possibly have understood!

Do you find writing easy?

No, mostly it is hard won. Crafting a poem, thinking about how it might sound in performance is always a lengthy process. Although, just once in a while a poem drops into your lap like a gift. Not too often though.

What is the inspiration behind your latest collection Skookum Jim and The Klondike Gold Rush?

I first visited Yukon in 2013 to visit family in Whitehorse, the capital, and travelled north up The Dempster Highway and through some of the most amazing landscapes I had ever seen. While there I began to learn a little about the Gold Rush at the heart of The Yukon’s history. We visited the gold rush town Dawson City, still with its false frontages, visited Robert Service’s cabin and heard an actor spouting some of his verse, sat on the ‘marge’ of Lake Leberge, site of Service’s famous poem ‘The Cremation of Sam McGee, learned something of first nation involvement in the great stampede, the impact on the indigenous communities, and also the madness and ignorance of the get-rich-quick prospectors. I was hooked. The idea for this collection had started to grown in my head but I knew I simply had to go back to see more, experience more, learn more if I was ever going to write it and thanks to some generous Open Lottery Funding I was able to go back in 2017 and find out more.

Skookum Jim and The Klondike Gold Rush was published by Indigo Dreams in March 2020. Not the best of times to launch a new book, so I am particularly grateful to the Wigtown Book Festival for giving me the opportunity to launch it.

The collection is a gift to The First Nation People of The Yukon, many of whom still strive to regain the land and the way of life they lost.

What advice would you give to aspiring poets?

Advice that was given to me by playwright and poet Bernard Kops. Invaluable. ‘Don’t get it right, get it written!

Chrys’s poetry collection is available to buy at www.indigodreams.co.uk/chrys-salt-skookum

Annan and Eskdale, Front

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Tricia inspired by home

Tricia inspired by home

TRICIA Barna started Falu Studios in 2018 with her partner Andy Philpott. With a background of work in graphic design, after 27 years of living and working in Hungary, she returned to Scotland, having grown up in the local area. Here, the pair took the opportunity to start their own business, which incorporates graphic and web design, framing and original artwork.  Her work has been sold at the Whitehouse Gallery in Kirkcudbright, and is available to see both at their home studio outside Dumfries and online, through the rescheduled online Spring Fling which they participated in over the last week. She explained more to Morven Beattie: